Thursday 29 May 2014

INSIDE OUT

The preservation of bodies is one primary way in which we study human anatomy. Skulls and skeletons fill museums, displaying bodies from all over our country from historical eras in time. With this evidence, we can see how evolution has changed the shape, size etc of our bodies; these remains can also determine how old a person is, their gender and many other factors. This not only tells us about the individuals, but also about how people lived within that particular period in time.
With burials being a popular way of putting the body to rest, once a person has passed on in Britain; the way in which other cultures preserve their dead further informs us about human anatomy. For example; in Ancient Egypt, mummification was the way, the more prestigious members of society, were preserved. With the careful removal and preservation of a person’s vital organs; which were kept separately in ornamental jars, this allows us to study more of the human body from the past. As the entire body is mummified, this keeps the body perfectly preserved and enables further examination, to see how humans of the past compare to our present day bodies; this cannot be done with the traditional burials of British bodies, as the organs decay with the body over time.
Other examples of alternative methods of human preservation are: shrunken heads and human taxidermy; along with mummification, all three of these methods provide various ways to see, not only how humans have evolved, but also how human bodies adapt to living in different conditions around the globe.
Leonardo di Vinci was one of the first people to ever draw an anatomical sketch of the human body. Just as we now study bodies from the past, di Vinci used recently deceased bodies to analysis and examine; he did this in order to improve his skills as an artist. Di Vinci believed that by having a better understanding of the human body and the way it was formed, he could make his drawings and paintings more anatomically correct, and therefore more realistic.
Another artist who studies human anatomy is Doctor Gunther von Hagens, an artist who uses the technique of plastination to preserve human bodies and body parts and uses them as figures in his artwork; placing them in everyday situations e.g. playing sport, sitting around a table etc, with the muscular system and organs exposed. His work displays humans from underneath the skin, completing everyday tasks; his work is preserving modern day human bodies, which is fast becoming a dying art form.
With cremation becoming the most popular form of ceremony in the UK, as opposed to a traditional burial: “Current figures suggest that around 70% of all funerals are cremations.”1. The question is raised: if these figures continue to rise, will facts about 21st Century anatomy be obsolete? There are many factors as to why cremation has become so popular; the cost for one, “The funeral and burial can cost £4,550 if you already have a plot that was purchased ahead of time. If there isn't burial plot and one must be purchased for a recent death, the cost of the plot could double in cost because it is now needed on demand.”2 Were as, “If you have the funeral and cremation, you can expect to pay about £1,950 plus £1,300 for the casket. The total will be £3,250 for a cremation and funeral with a service and visitation.”2 Cremations can be made even cheaper “If you choose to have the deceased cremated before the service and no visitation, it will cost you about £650. This is for the standard cremation container and the urn.”2 Many people may prefer to be buried once they are deceased, but don’t want to leave the family with such an expense cost; therefore, they may opt for cremation purely from an expenses point of view.
The lack of land is another factor which is taken account when choosing cremation over a traditional burial. Local councils will encourage people to opt for a cremation as this saves money, which can be used elsewhere, rather than keeping large areas of land available to create cemeteries.
My visit to The Victoria Gallery & Museum proved to be very informative an educational. There was a wide selection of artefacts relating to human anatomy to study, including skulls and x-rays, among others; the artefacts which I found to be of most interest, were in fact, dentures and false teeth from the past. This was very thought provoking and links to my previous cremation vs. Burial argument: how will scientists, artists and historians of the future study our teeth and dentures, to gain an insight into our lives; if all the evidence has been burnt away?
In my personal experience, I find anatomy fascinating. My primary contact with it has been through taxidermy, both human and animal; a visit to Obscura: Antiques and Oddities in New York was an amazing experience, a small family run shop displaying (as the name suggests) obscure finds; a sort of taxidermy museum. Finds included: a two-headed calf, a shrunken human head, a preserved human head, empty turtle shells and other unusual but amazing items.
My hope for the future is that; scientists, artists, historians and the like, will be able to have an information and inspirational insight into the anatomy of 21st Century humans and to be able to exhibit us in fascinating ways, that we have been preserved over time; to be able to physically see and examine us, rather than simply read about us in old doctors notes and crematorium records.






Society constraints beauty

To view my fashion film, please click the link below:

Aftermath





Say cheese




Lets get visual

Images which I have presented in an A5 visual journal

























Wednesday 28 May 2014

Tuesday 27 May 2014

Square One

Mind map:


Story board:


Holi sh*t

It was now time to begin planning my fashion film.
I began by studying professional fashion films; so I could then gather inspiration and ideas for my own.

The first fashion film I looked at was "Holi Holy" A Manish Arora film by Bharat Sikka. The setting of this film was based in India; with the opening depicting older buildings within rural areas; it is all set outdoors. The lighting is dull in the opening sequence and primarily consists of natural, earthy tones; accompanied with the slow, traditional Indian music, this creates an intense atmosphere. After the scene is set, the film then shows women in these areas. The slow, soft pace of the scene transitions and music, accompanied by the body language of these women allows me to feel sympathetic toward them and they appear repressed.

However, the mood of the film is changed when one of the women begins to throw coloured powder over the others. Once this powder is thrown, the mood lifts. The lighting of the film becomes brighter, the women seem confident within themselves. The clothing the women are wearing also changes; they go from wearing dull, plain, traditional Indian garments, to brightly coloured, Westernised style of clothing. The attention of the other people in the street is now drawn towards these women, in comparison with the opening of the women, were the women almost blended into the backdrop. It is not only the new, brighter clothing that draws the attention to the women, but the new-found confidence and stance in which they hold themselves.

I believe this fashion film, is not only displaying the designers garments, but also portraying a message: the repression of some of the women in Middle Eastern countries, this film is about breaking out of this old-fashioned view of women and giving them rights and importance.

The second fashion film also doubled up as a music video for the band Primal Scream (which is also the name of the film) and was created by Show Studio. 

Although the feel of the two films is entirely different, I feel that they both represent the idea of repression. However, where as Holi Holy presents how it is now and the hopes for freedom from feminist repression in the future; to me the Primal Scream film immediately depicts the act of breaking out of conformity.

I feel that the Primal Scream film is a representation of repression through the use of masks, ropes, thread and needle, and other such devices. However, the reason I believe the film is a depiction of breaking this repression comes from how the characters within the film re-act to the situations they are put in. For example the woman running through the woods; I feel as though she is running toward something, rather than being chased by something (which is a common depiction within film, in a wooded area).

I also feel that the film is about progression. The scene which portrays the feet walking up the stairs begins with bare feet and gradually builds up to shoes, the upward direction of the moving feet indicates positive progression.

Unlike the Holi Holy film; which is very shows very a traditional lifestyle and view point, the Primal Scream video is very sexual in nature: the two masked characters kissing, the bondage theme of rope tying up another character etc. This shows modern, Western ideals; which I feel is also portrayed through the music, which gives a sense of urgency with the pitch occasionally lifting. The deliberate movements conveyed by each of the characters within the film also provides a sense of urgency; it contrasts with the mood that the music provides and as a viewer makes me want the characters to quicker their pace. The similar affect is created within horror films, were the audience is urging the character to run faster etc. However, due to the deliberate and often delicate movements of the characters, it portrays to me that they don't fear and have the confidence to embrace or break free from the restraints. This contrasts the Holi Holy film, were the audience feels sympathetic toward the woman and they seem sad for themselves that they are suffering  repression.

Please click the link below to view the film "Primal Scream"

Out of both of the films, I personally prefer Primal Scream. I find it very empowering and after viewing it, I feel that it inspires me to make changes within my own life that I am unhappy with. Although I enjoyed Holi Holy, I made me think only about those women and the particular situation that they are in; rather than inspire me personally to break boundaries and push limits within my own life.

Coloured Covers

I used Tipex and marker pens to decorate these two magazine covers in the style of Hattie Stewart.



Examples of Stewart's work:



https://www.google.co.uk/search?q=hattie+stewart&rlz=1C1SVED_enGB411GB413&es_sm=93&source=lnms&tbm=isch&sa=X&ei=ba2EU62JCYX17AapvICgDg&ved=0CAgQ_AUoAQ&biw=1366&bih=667#facrc=_&imgdii=_&imgrc=vac0rKCpHlQ29M%253A%3B46DpG9owbvi_cM%3Bhttp%253A%252F%252Fwww.wonderlandmagazine.com%252Fwp-content%252Fuploads%252F2012%252F03%252FPicture-276.png%3Bhttp%253A%252F%252Fwww.wonderlandmagazine.com%252F2012%252F03%252Femerging-hattie-stewart%252F%3B654%3B867


Information and Inspiration

Three pieces of artist research on: Lucy Mcrae, Matt Wisniewski and Rosa Verloop.




Wednesday 21 May 2014

Corsets for a Cause

This piece was based on the work of artist Paddy Hartley. His work portrays the facial reconstruction given to soldiers during the First World War; it was one of the first forms of what we know today as: plastic surgery.

He uses this muse to create facial corsets; these corsets which are Hartley's way of portraying the reconstructive surgery these soldiers undertook. His does both 2D and 3D interpretations of these.

https://www.google.co.uk/search?q=paddy+hartley&rlz=1C1SVED_enGB411GB413&es_sm=93&source=lnms&tbm=isch&sa=X&ei=rGl8U72dF4bo7AaIsIHwCg&ved=0CAgQ_AUoAQ&biw=1366&bih=624#facrc=_&imgdii=_&imgrc=CAcDlxzJOQUvXM%253A%3BYMjEAc4me10QsM%3Bhttp%253A%252F%252Ftheculturevulture.co.uk%252Fblog%252Fwp-content%252Fuploads%252F2009%252F09%252FFaceCorsets-500x673.jpg%3Bhttp%253A%252F%252Ftheculturevulture.co.uk%252Fblog%252Fdayjob%252Fdont-give-up-the-day-job-paddy-hartley%252F%3B500%3B673


Taking Hartley's work for inspiration, I then created my own 2D interpretation of these facial corsets. I used Photoshop to split the original image into four parts and used a different filter on each of the four sections; after printing these four sections, I then stitched them together, mimicking Hartley's work. Once this was attached to a black background, I applied fabric and sellotape transfers of both text and images; to produce my own variation of Hartley's work.


Smush Face

I photocopied my face to create a distorted image; the images portray a non-traditional angle for Photocopying the face, pressing various parts of my face into the glass of the photocopier also distorted the shape of my face.




 I then used paint and Biro to recreate these images and manipulate them further.